But these are minor niggles in a fantastically diverse and competent DAW that comes at an incredible price. It would also be helpful if users could search through their third-party MIDI libraries via the Libraries tab. It would have been cool if the developers had given the stock plugins the same interface revamp that the EQ benefitted from in the upgrade from 9 to 10. Flex Pitch and Flex Time are also staple features that you’ll very quickly not be able to live without. The same can be said of the FX plugins: You won’t need to buy any extra software in this department for a very long time indeed. Some of these are more convincing than others, but the diverse selection is definitely a great kick-starter to your library. The product comes with a very impressive and comprehensive selection of MIDI instruments. The interface in this latest version has a very clean and modern look. This software stays faithful to Apple’s ethos of usability. Logic Pro is one of Apple’s flagship prosumer software products alongside Final Cut Pro. All the same, if you’re purchasing your first DAW or considering an upgrade or switch from your old one, it never hurts to inform your decision by learning from the experiences of others. Let me just say before we start that these are all quality products, and my opinions about what makes a DAW great are likely to be different from yours. I’ll be ignoring third-party software and assessing these “out the box.” I’ll be evaluating these software products based on the following criteria: MIDI Input, Audio Recording, Audio Processing, General Interface, and Value for Money. In this review, I break down recent versions of the top four players in the DAW industry: Logic Pro X, Pro Tools 11, Cubase 7, and Ableton Live 9. Your DAW is the most fundamentally important piece of software you will own as a composer and producer, because without it, all of your other software tools are rendered useless.
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